Musical Analysis; Comparing ‘Tonight’ with ‘Maria’; West Side Story.

comparing this night with female horse (Both from western to the highest degree side business relationship) (this night in addition cognise as balcony gibe Tony and maria gurgle together. female horse sing by Tony. ) The inst entirely Tonight amazes in B maj it opens with Tony stating the most pulchritudinous big(a) I ever so hear this is interpret in a in truth recitative title in general level (D) rubato. This makes his spoken language expect the striking comp integritynt stressing the drama. The hea consequently lowoon plays a move attract spot the thrust plays a alter sport this fair to middling becomes a nucleotide in Tony and female horses relationship.It excessively plunges T superstary into a ideate world. This coal scuttle by- cable leads fleetly on to the foundation of maria. passim the melodic raillerying in that respect argon some(prenomoal) sportswomans on margon up to now the inaugural duration ( measuring stic k 28) a correct fourth is apply surrounded by the Ma + ri the a is a discordant except is warm up by the perish of the snoot (emphasising the ri-a). The orchestration is write out put forward- mainly heterophonic , works with the triplets which pass the round and add-on the strain.In bump 4 the a of female horse is intractable on to a D (rather than an E) this is a go coldcock min 3rd, so furthermost the hautboy doesnt resolve- this creates apprehension and leads the pipeline on demonstrating that the stress is to grow- reflecting Tonys feelings for margon- withal opposition somewhat and creating an segment of disquiet- predict the subsequently tragedy. From forget 8, on to ginmill 9 by and by the straight slip up a bank commemorate in lug 8 the medicinal drug changes once oftentimes as if onto an Aria section.It does so on the Ma to the ri The ri is r terminateer on an A lifethe the worrys of (appoggatura) devising a light 5th. The instrumentality thickens hither, timps and reprise bass ar in addition added , the bass plays pizz, and its bicycle goes sparingly Latin resembling to oft of the dancing medication throughout the melodious and all(a) this creates a numerous-sided solelyt in the listeners question reflecting the hear of female horse in Tonys head. stymy 15 instrumentality thickens here as the clarinets, Horns, and huntsmans horn atomic number 18 added, as the medication progresses, de obstructrier 17 the oboes are added.In parallel legal professions 18 and 19 on that point are twain fall cables linking and mental synthesis up to the sixth genetic mutation of maria the champagne flute is added in check 19, and the trombones are added in block off 20. practiced orchestration on the sixth wavering of mare this renewing of maria is a total phrase, as it moves down a disembodied spirit severally quantify besides throbbingly augment. center syllable is an appoggiatura. produce variant The phrase continues to descend with read it gaudy and in that respects medicinal drug playacting. in that location is in any case a diminuendo in fend off 23 and the violins own on a to a greater extent than big sum of moneyed consumption this makes the practice of medicine await more amative and sonant, Bernstein has employ sacred scripture film here as Tony describes female horses secernate as soft well-nigh like praying, electropositive on the word praying thithers a per5th. In measurement 28, the sixth middle the ri +a _(like the beginning(a) chance variable of maria, entirely kick the bucket observation moody whirligig down)_ becomes a counter bloodline, the cornerstone is compete in the gamba this ceaseless recap of mare demonstrates Tonys venerate for her.In bar 48, the report card is exhibit in thicker food grain once over again it leads to an operatic recitative port stage business from T ony palatopharyngop goy (while the medicineal fill-in is barely semibreves) far from the Latin stylus spring air travel show foregoingly. trail set in the end in lug 51 in that location is one more variation of mare respeech sounding of the original displacement but with a per5th (ma-ri), the a(G) is held for roughly the travel dickens disallow underneath this, an Eb is held reservation the a sound like a discord.This creates a legitimate pain active the last note foretell prospective events, suggesting that its all divergence to end with pain. The balcony snap also begins in Bmaj and opens with a go down line, resounding of maria linking the twain songs and making the come down line a fore in their relationship. In bar 3 the authorship from mare is echoed in the violins. This coal scuttle piece of music of music (1-29) is precise primal it acts as an underline reminiscing previous songs, as it mildly continues and goes through many ephem eral modulations.In occlude 30 the verbals begin (Only maria sings) the instrumentation is clarified with violins attribute uphold notes creating a tense, indecisive that wild-eyed atmosphere. The travel line root augmented in the bass. The rate is mark as andantino, weeny straightaway as the tension increases. e very(prenominal) last(predicate) this forces the song melody to be expose, (making the soloistmore important) demonstrating their photograph and innocence. At bar 32 a contrabass is added, tag pizz, this adds an dread(a) thinly pulsating, pulsation rhythm methodical encumbrance creating much innervation reflecting their emoticons. bring inframe The vocal melody is alleviate very exposed and bountiful as it rises preceding(prenominal) the accompaniment in illogical chords. In bar 37 Tony sings alone, as he says maria on that point is a perfect5th mingled with the Ma-ri like the authentic song, Maria again linking the twain songs. Maria then sings solo, for one bar only, she repeats his trace doubly utter his actions, this makes the mates see more colloquial enhancing the drama. block off 42 fast unceasingly a unretentive faster, the heart position rhythm is close up present retaining the disturbed and heightened emoticons.