Paradise Lost

Strictly following the tradition of classical epic, Milton made his Paradise Lost, a work that roused the interest of all men in all ages. We can even claim that by his creative genius, he has modified and ennobled that tradition. Though its form is classical, its content tends to be on the scriptural side. The very opening lines exhort its central theme –â€Å"Of man’s disobedience†¦Ã¢â‚¬  The bone of contention between the critics of all ages is about whom the hero of this epic is –God, Satan or Adam. Undoubtedly we are forced to say that a good number of passages, especially in the first two books of Paradise Lost, give a heroic stature to Satan, the major among the fallen angels. Gradual diminution of Satan’s glory and grandeur is an integral part of Milton’s epic-design. The Satan of Books I and II is a creature of such dynamic energy and colorful splendor that many of the epic’s readers are tempted to consider him as the hero of the poem. That Milton did not so regard him and that, in rejecting the Satan of the earlier part of the epic, Milton was not being false to his poetic self, is clear from Satan’s opening soliloquy in Book IV, at least the first ten lines of which were written before Books I and II. In this and subsequent soliloquies Milton is able to present the character of Satan more fully and in a partly dramatic form, by placing him in a situation which denies him an outlet for his rhetoric and invites introspective self-examination. Milton, no doubt, intended Satan – at least in the early books – to be representative of the old heroic values which were to be superseded by ‘the better fortitude of patience and heroic martyrdom’. Unfortunately for Milton, readers of Paradise Lost have not been able to shake off the heroic qualities of Satan in the first two books. Along with that, three other factors contributed to the result. In English, the word ‘hero’ has the meaning of a ‘central figure’, and this Satan is definitely in these early books. Milton was strong and fresh creatively when he characterized Satan in these early books; and he never succeeded in producing a rival hero of similar stature but opposed ideals. Milton lavished all his power, all his skill, and the greater part of his sympathy on the splendid figure of Satan. Many critics have agreed to the fact that the epic value of the whole epic is centered in the achievements and characterization of Satan. His unyielding agony represents the insightful antinomy of the modern consciousness. Satan expresses, as no other character in the epic does, something in which Milton believed strongly, that is, heroic energy. It is through Satan that Milton’s own heroic energy has been so powerfully shown forth. This is expressed through conflict and endurance. The odds are against him, he has to wage war against the Omnipotent, but still he persists and struggles, and wins our profoundest admiration and sympathy. No doubt, his energy is unreasoning, no doubt it is devoted to his wicked passion for revenge, and certainly he is carried away by hate and envy, but still we cannot help admiring him for the heroic energy with which he persistently struggles against heavy odds to achieve his aims. Milton’s Satan is not a comic or grotesque figure like the Devil or Vice of medieval writers or the demons of other epic poets. Being a principal figure of an epic, if a certain amount of grotesqueness was drawn in the character of Satan, it would have definitely impaired the dignity of the poem. Many predecessors of Milton have done the same but in this respect too Milton was daringly original. On the other hand, it cannot be denied that by attempting at proving himself ‘self-begotten’, Satan‘s behavior tends to the comic and contradictory. Moreover, only a fool would pit himself against omnipotence and thus invite certain disaster. But Milton’s Satan is neither a fool nor a clown. He definitely has the beauty of sublimity and the grandeur and majesty and dignity of bearing. The poet drives home this nobility and greatness of his bearing in wonderfully mentored fine passages which can be hailed as the best among those that have been ever written. The following passage confirms the point: â€Å"†¦Black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart, what seemed his head The likeness of a kingly crown had on. Satan was now at hand, and from his seat The monster moving onward came as fast With horrid strides: Hell trembled as he strode. †(II 495-501) Courteously and fearlessly Satan addresses himself to the monarch of the nethermost abyss. His speech contains no threats; he asks for guidance in his quest; and, with politic fore-thought, promises that quest, if successful, shall restore an outlying lost province to Chaos. In the war on the plains of Heaven, Satan ranges up and down the fighting line, like Cromwell; he fortifies his comrades to endurance, and encourages them to attack. In Hell he stands like a tower: â€Å"His form had yet not lost All its original brightness, nor appeared Less than Archangel ruined, and the excess Of glory obscured†¦Ã¢â‚¬  I (591-4) In his contests with Michael in heaven and with Gabriel on earth, he never falls below himself: â€Å"If I must contend†, said he, â€Å"Best with the best – the sender, not the sent; Or all at once. † IV (851-3) His followers are devotedly attached to him; they admire him ‘that for the general safety he despised his own’; and the only scene of rejoicing recorded in the annals of Hell, before the Fall of Man, is at the dissolution of Stygian Council, when the devils come forth â€Å"rejoicing in their matchless chief†. The allure of free will is where the attractiveness and power of Satan's character lies. Satan may be quite useless when it comes to fighting the ten thousand thunders of Christ's fury, but in his will he is free and in his mind he is supreme: ‘What though the field be lost? | All is not lost; the unconquerable will' (I. 105). † (Zen g, Nicholas http://www. christs. cam. ac. uk/darknessvisible/about_us/nicholas_zeng. html) As if to set purpose to raise Satan high above the heads of other archangels, Milton devises a pair of similar scenes in Heaven and in Hell. In the one Satan takes upon himself the unknown dangers of the enterprise that has been approved by the assembly. In the other, which occurs in the very next book, the Heavenly powers are addressed from the Throne, and asked – â€Å"Which of ye will be mortal, to redeem Man’s mortal crime, and just, the unjust to save? III (214-5) None in heaven is ready to take the risk; but Satan takes upon himself the dangerous task of traveling through Chaos and seducing Man. There is no doubt in the fact that Satan’s over-mastering passions are hate, ambition and desire for revenge, but he is not presented as a monster of wickedness or an unredeemed villain. Milton has skillfully humanized his character. Hence, though Satan in the enemy of God and Man alike, he is not entirely devoid of gentler characteristics. He is deeply remorseful at the thought of the ruin in which he has involved his followers and this remorse actually brings tears to his eyes. In the second book, we see him showing forth a noble sense of the duty of self-sacrifice incumbent on him owing to his position as king of hell, by sacrificing his own safety for the general cause and as a result, undertaking alone the difficult enterprise which daunted the courage of the mightiest of his followers. This trait of Satan’s character is maintained in the later books. We see him twice melted with compassion seeing the harmless innocence of Adam and Eve whose ruin he is plotting in book IV (389. 462-66). These softer feelings are to be seen as only occasional touches introduced to relieve the grandeur of a character essentially terrible, a character who is, though not totally devoid of gentle traits, on the whole most like a mighty tempest, or an avalanche, or any other force of nature that is a harmonious blending of beauty of sublimity and immense destructive power. With due sympathy and dramatic power, Satan’s character has been drawn which further revealed Milton’s proud spirit of independence and superiority to the utmost. Satan is certainly a self-portrait, a rebel against tyranny and injustice like Milton himself. The sentiment which he expresses – ‘courage never to submit or yield’; â€Å"better to reign in hell than to serve in heaven’, raises his stature to that of an epic hero. Satan is such a magnificently drawn character and such is the fascination he has exercised on the readers of the great epic of all times, paradise lost, that ever since Dryden has christened Satan as ‘Milton’s hero’, critic after critic has taken him to be the hero of the epic. There is no doubt that he dominates Books I and II of the epic in which he towers head and shoulders above his followers, but after that there is a progressive degradation and shrinkage in his character. His gradual loss of physical brightness is accompanied by a corresponding deterioration of character. The audience, however, does find someplace to invest its sympathy, and that place is in the character of Satan. The audience first sees Satan waking in Hell where he and the other fallen angels despair. Through his despair, however, Satan claims, â€Å"All is not lost — the unconquerable will,// And study of revenge, immortal hate,// And courage never to submit or yield — . . . That glory never shall his wrath or might// Extort from me† (I. 104- 111). † (http://www. essortment. com/all/satanparadisel_rsng. htm) It is by his own will that he becomes a serpent in Book IX. In Book X, he is a serpent whenever he wants to wear its garb. This degradation that is progressive is drawn home most effectively. His beginning is shown as fighting for liberty, however it is misconceived. But very soon his stature goes down as he starts fighting for â€Å"Honour, Dominion, glorie, and renounce’. But it is seen that he is defeated in this in no time. Then he resorts to the great plotting that forms the essence of the epic – the ruining of two creatures that are in no way harmful to him, but this is not at all keeping in front a serious expectation of triumph, but only to annoy the enemy who is beyond his reach for a direct encounter. This makes him stoop to the level of a spy coming into the universe, that too as a low level spy who peeps into the privacy of a man and wife, and it is there that he is described for the first time as ‘Devil’, not the fallen Archangel nor the dreaded emperor of Hell. If we take into account not merely Books I and II, but the epic as a whole, Satan cannot be regarded as the hero. As he is carried away by his passion for revenge, envy and hatred, to use ‘guile’ and cunning to achieve his end, Satan is the villain of the piece and not the hero. Closely woven with the story of the fall of man is the story of the fall of Satan and his followers. Their fall also bears out that the theme of the epic is the victory of passion over reason and its terrible consequence. Satan falls not because he is a lesser being, but due to his giving priority to passion over reason. He is proud and is carried away by inordinate ambition and lust for power. He claims absolute equality, foolishly imagines that he is self-created, regards god’s rule as tyrannous, rebels against him and is consequently overthrown and hurled into hell. He is the very embodiment of unrestrained passions which ultimately bring no satisfaction. Debates are still going on about the fact that Satan is such a driving force within the great epic. It ranges from William Blake’s comment that Milton â€Å"wrote in fetters when wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true Poet and of the Devil’s party without knowing it† (Black 2007, p. 996) to the plea that this poem is nothing more than a christian tale in which milton is unsuccessful in portraying what he intended to do. (Marshal 1961, p. 19) Paradise Lost Strictly following the tradition of classical epic, Milton made his Paradise Lost, a work that roused the interest of all men in all ages. We can even claim that by his creative genius, he has modified and ennobled that tradition. Though its form is classical, its content tends to be on the scriptural side. The very opening lines exhort its central theme –â€Å"Of man’s disobedience†¦Ã¢â‚¬  The bone of contention between the critics of all ages is about whom the hero of this epic is –God, Satan or Adam. Undoubtedly we are forced to say that a good number of passages, especially in the first two books of Paradise Lost, give a heroic stature to Satan, the major among the fallen angels. Gradual diminution of Satan’s glory and grandeur is an integral part of Milton’s epic-design. The Satan of Books I and II is a creature of such dynamic energy and colorful splendor that many of the epic’s readers are tempted to consider him as the hero of the poem. That Milton did not so regard him and that, in rejecting the Satan of the earlier part of the epic, Milton was not being false to his poetic self, is clear from Satan’s opening soliloquy in Book IV, at least the first ten lines of which were written before Books I and II. In this and subsequent soliloquies Milton is able to present the character of Satan more fully and in a partly dramatic form, by placing him in a situation which denies him an outlet for his rhetoric and invites introspective self-examination. Milton, no doubt, intended Satan – at least in the early books – to be representative of the old heroic values which were to be superseded by ‘the better fortitude of patience and heroic martyrdom’. Unfortunately for Milton, readers of Paradise Lost have not been able to shake off the heroic qualities of Satan in the first two books. Along with that, three other factors contributed to the result. In English, the word ‘hero’ has the meaning of a ‘central figure’, and this Satan is definitely in these early books. Milton was strong and fresh creatively when he characterized Satan in these early books; and he never succeeded in producing a rival hero of similar stature but opposed ideals. Milton lavished all his power, all his skill, and the greater part of his sympathy on the splendid figure of Satan. Many critics have agreed to the fact that the epic value of the whole epic is centered in the achievements and characterization of Satan. His unyielding agony represents the insightful antinomy of the modern consciousness. Satan expresses, as no other character in the epic does, something in which Milton believed strongly, that is, heroic energy. It is through Satan that Milton’s own heroic energy has been so powerfully shown forth. This is expressed through conflict and endurance. The odds are against him, he has to wage war against the Omnipotent, but still he persists and struggles, and wins our profoundest admiration and sympathy. No doubt, his energy is unreasoning, no doubt it is devoted to his wicked passion for revenge, and certainly he is carried away by hate and envy, but still we cannot help admiring him for the heroic energy with which he persistently struggles against heavy odds to achieve his aims. Milton’s Satan is not a comic or grotesque figure like the Devil or Vice of medieval writers or the demons of other epic poets. Being a principal figure of an epic, if a certain amount of grotesqueness was drawn in the character of Satan, it would have definitely impaired the dignity of the poem. Many predecessors of Milton have done the same but in this respect too Milton was daringly original. On the other hand, it cannot be denied that by attempting at proving himself ‘self-begotten’, Satan‘s behavior tends to the comic and contradictory. Moreover, only a fool would pit himself against omnipotence and thus invite certain disaster. But Milton’s Satan is neither a fool nor a clown. He definitely has the beauty of sublimity and the grandeur and majesty and dignity of bearing. The poet drives home this nobility and greatness of his bearing in wonderfully mentored fine passages which can be hailed as the best among those that have been ever written. The following passage confirms the point: â€Å"†¦Black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart, what seemed his head The likeness of a kingly crown had on. Satan was now at hand, and from his seat The monster moving onward came as fast With horrid strides: Hell trembled as he strode. †(II 495-501) Courteously and fearlessly Satan addresses himself to the monarch of the nethermost abyss. His speech contains no threats; he asks for guidance in his quest; and, with politic fore-thought, promises that quest, if successful, shall restore an outlying lost province to Chaos. In the war on the plains of Heaven, Satan ranges up and down the fighting line, like Cromwell; he fortifies his comrades to endurance, and encourages them to attack. In Hell he stands like a tower: â€Å"His form had yet not lost All its original brightness, nor appeared Less than Archangel ruined, and the excess Of glory obscured†¦Ã¢â‚¬  I (591-4) In his contests with Michael in heaven and with Gabriel on earth, he never falls below himself: â€Å"If I must contend†, said he, â€Å"Best with the best – the sender, not the sent; Or all at once. † IV (851-3) His followers are devotedly attached to him; they admire him ‘that for the general safety he despised his own’; and the only scene of rejoicing recorded in the annals of Hell, before the Fall of Man, is at the dissolution of Stygian Council, when the devils come forth â€Å"rejoicing in their matchless chief†. The allure of free will is where the attractiveness and power of Satan's character lies. Satan may be quite useless when it comes to fighting the ten thousand thunders of Christ's fury, but in his will he is free and in his mind he is supreme: ‘What though the field be lost? | All is not lost; the unconquerable will' (I. 105). † (Zen g, Nicholas http://www. christs. cam. ac. uk/darknessvisible/about_us/nicholas_zeng. html) As if to set purpose to raise Satan high above the heads of other archangels, Milton devises a pair of similar scenes in Heaven and in Hell. In the one Satan takes upon himself the unknown dangers of the enterprise that has been approved by the assembly. In the other, which occurs in the very next book, the Heavenly powers are addressed from the Throne, and asked – â€Å"Which of ye will be mortal, to redeem Man’s mortal crime, and just, the unjust to save? III (214-5) None in heaven is ready to take the risk; but Satan takes upon himself the dangerous task of traveling through Chaos and seducing Man. There is no doubt in the fact that Satan’s over-mastering passions are hate, ambition and desire for revenge, but he is not presented as a monster of wickedness or an unredeemed villain. Milton has skillfully humanized his character. Hence, though Satan in the enemy of God and Man alike, he is not entirely devoid of gentler characteristics. He is deeply remorseful at the thought of the ruin in which he has involved his followers and this remorse actually brings tears to his eyes. In the second book, we see him showing forth a noble sense of the duty of self-sacrifice incumbent on him owing to his position as king of hell, by sacrificing his own safety for the general cause and as a result, undertaking alone the difficult enterprise which daunted the courage of the mightiest of his followers. This trait of Satan’s character is maintained in the later books. We see him twice melted with compassion seeing the harmless innocence of Adam and Eve whose ruin he is plotting in book IV (389. 462-66). These softer feelings are to be seen as only occasional touches introduced to relieve the grandeur of a character essentially terrible, a character who is, though not totally devoid of gentle traits, on the whole most like a mighty tempest, or an avalanche, or any other force of nature that is a harmonious blending of beauty of sublimity and immense destructive power. With due sympathy and dramatic power, Satan’s character has been drawn which further revealed Milton’s proud spirit of independence and superiority to the utmost. Satan is certainly a self-portrait, a rebel against tyranny and injustice like Milton himself. The sentiment which he expresses – ‘courage never to submit or yield’; â€Å"better to reign in hell than to serve in heaven’, raises his stature to that of an epic hero. Satan is such a magnificently drawn character and such is the fascination he has exercised on the readers of the great epic of all times, paradise lost, that ever since Dryden has christened Satan as ‘Milton’s hero’, critic after critic has taken him to be the hero of the epic. There is no doubt that he dominates Books I and II of the epic in which he towers head and shoulders above his followers, but after that there is a progressive degradation and shrinkage in his character. His gradual loss of physical brightness is accompanied by a corresponding deterioration of character. The audience, however, does find someplace to invest its sympathy, and that place is in the character of Satan. The audience first sees Satan waking in Hell where he and the other fallen angels despair. Through his despair, however, Satan claims, â€Å"All is not lost — the unconquerable will,// And study of revenge, immortal hate,// And courage never to submit or yield — . . . That glory never shall his wrath or might// Extort from me† (I. 104- 111). † (http://www. essortment. com/all/satanparadisel_rsng. htm) It is by his own will that he becomes a serpent in Book IX. In Book X, he is a serpent whenever he wants to wear its garb. This degradation that is progressive is drawn home most effectively. His beginning is shown as fighting for liberty, however it is misconceived. But very soon his stature goes down as he starts fighting for â€Å"Honour, Dominion, glorie, and renounce’. But it is seen that he is defeated in this in no time. Then he resorts to the great plotting that forms the essence of the epic – the ruining of two creatures that are in no way harmful to him, but this is not at all keeping in front a serious expectation of triumph, but only to annoy the enemy who is beyond his reach for a direct encounter. This makes him stoop to the level of a spy coming into the universe, that too as a low level spy who peeps into the privacy of a man and wife, and it is there that he is described for the first time as ‘Devil’, not the fallen Archangel nor the dreaded emperor of Hell. If we take into account not merely Books I and II, but the epic as a whole, Satan cannot be regarded as the hero. As he is carried away by his passion for revenge, envy and hatred, to use ‘guile’ and cunning to achieve his end, Satan is the villain of the piece and not the hero. Closely woven with the story of the fall of man is the story of the fall of Satan and his followers. Their fall also bears out that the theme of the epic is the victory of passion over reason and its terrible consequence. Satan falls not because he is a lesser being, but due to his giving priority to passion over reason. He is proud and is carried away by inordinate ambition and lust for power. He claims absolute equality, foolishly imagines that he is self-created, regards god’s rule as tyrannous, rebels against him and is consequently overthrown and hurled into hell. He is the very embodiment of unrestrained passions which ultimately bring no satisfaction. Debates are still going on about the fact that Satan is such a driving force within the great epic. It ranges from William Blake’s comment that Milton â€Å"wrote in fetters when wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true Poet and of the Devil’s party without knowing it† (Black 2007, p. 996) to the plea that this poem is nothing more than a christian tale in which milton is unsuccessful in portraying what he intended to do. (Marshal 1961, p. 19)

Is Education Important Essay

In today’s globally competitive world, education is another aspect that measures a person’s skills and capabilities. Employers and companies look for people with high educational attainment that have proven their more capable skills and knowledge when compared to other people (also known as the competition). Families brag about scholarships, honourable mentions and awards. Even something as getting a date or a life partner would depend on what kind of education did a person have from their early childhood until their university years and even reaching to further graduate studies—whether people would freely admit it or not. Education is judged as important primarily because it is associated with learning skills, knowledge and experiences that would help him/her to be successful in the real world. The real world is defined as the world that one has to work to get some food on the table, pay taxes to help the nation and get rid of the pile of unpaid bills. On the other hand, success in the real world is the defined as having the ability to afford both the basic necessities and luxuries. Education then is concluded as being the answer to achieve that success. How? While people usually complain why they have to take physics or chemistry in high school when their ambition is really to become a ballerina or a manager, those students fail to see that education also provides non-formal education—education that happens outside the educational set-up but which they learn while inside the educational institution. Things like social skills, discipline, confidence, tenacity and patience, etc. re things which can only be taught through association with other people—and doing things they do not enjoy and consider useless. Aside from the fact that there are critical and cognitive thinking skills that one learns in formal education—like basic math which is very important or memorization and analyzing things which are also very important—non-formal education is another form of education that develops the person’s ability to stay and succeed in the real world. To end, education’s importance cannot really be put into simple words and abstract concepts because the reason for its importance is tantamount to explaining why food and shelter is important. But overall, this is the point—yes, education whether formal or non-formal is imperatively essential to everyone. If it was not, then why did the school system manage to continue forth and survive from the time of the ancient Greeks to today’s 21st century and technologically-advanced world?

Business ethics Essay

Ethics is something that is very important to me. I would like to think that everyone has manners or even common sense when it comes to other peoples’ feelings, or physical pain. But I cannot think like this. If I were to have my own business I would have a code of ethics that would be followed very strictly. I simply will not tolerate any form and unethical behavior in the workplace. The first research situation states: â€Å"A researcher studying dorm life on campus discovers that 60 percent of the residents regularly violate restrictions on alcohol consumption. Publication of the finding would probably create furor in the campus community. Because no extensive analysis of alcohol use is planned, the researcher decides to keep his findings quiet. † I believe that this researcher did do the right thing. If the researcher would have gone public with this information it could potentially put a lot of the students in danger. The publication of the fact could cause riots, or fights within the campus. Plus the students did not know that the researcher was gathering information about the alcohol consumption, which would violate one of the six ethical issues. Deception would be considered misleading the students about the nature of the study, meaning the researcher told the students one thing but did not tell them about the research on alcohol consumption. Another thing that the researcher could have possibly caused is physical harm. By keeping the information gathered to him or her, it did not cause uproar in the campus community. The researcher could have also revealed which groups of people, or even single people, are consuming the alcohol which could lead them to feel depressed, or cause people not to talk to them, and maybe even cause them to transfer to another school. Even though the researcher could have used this information to his or her advantage, this is not what he or she intended to research therefore the information gathered should not be used for anything. In my opinion, this particular researcher has done a great job with their ethical behavior. According to the six ethical issues the researcher has followed each one to prevent any type of unethical behavior. This procedure is very acceptable, and I do recommend this to anybody who plans on doing any type of research. The second research situation is: â€Å"A research questionnaire is circulated among students as part of their university registration packet. Although students are not told they must complete the questionnaire, the hope is that they will believe they must-thus ensuring a higher completion rate. † I do not agree with this at all. This is very unprofessional, and the researcher or organization behind this survey will not receive the expected results. First of all you have to tell the students what the survey is about, why it is important that they fill out the survey, how this will benefit the students directly, and that it is not a requirement, but on a volunteer basis so that they do not feel like they are being forced to just simply write something on the survey that may not be entirely true, creating invalid information. At my workplace I sell mobile phones for AT&T. When a customer comes in to activate a new line of service or upgrades their existing device they are sent a survey on how the experience was in the store. It is my job to explain what the survey is about and why they are receiving this survey. I also have to make sure the customer understands that it is not required of them and if they do not feel comfortable taking it they do not have to participate. The survey is also completely anonymous, unless the customer requests their name to be a part of the survey, again this is optional. Another thing I always do is make sure I tell them how this survey can benefit them. I tell them it is simply to improve our service through customer feedback. By doing these few extra steps, we have gotten so many more surveys posted than ever before. If a survey is just randomly there, the customer is not going to know what it is for. They aren’t going to realize that by filling this survey out it could very well potentially help them. Odds are that about 90% of people will not take a survey if it is not explained to them. If a researcher wants results, he or she will take the time to do these few extra steps to get the correct information needed for the research.

Effect of Toluene and Xylene in solvents on humans Essay

Toluene and Xylene are some of the major compounds in the solvents that affect the humans. Both, Toluene and Xylene, exert some effects like irritation at the site of contact and CNS depression. Irritation Solvents are in liquid form when at room temperature, but they are volatile too. When these solvents are in liquid form, once they come in contact with the skin, irritation may occur. When they are volatile, inhalation of these vapors may cause irritation in the respiratory track and the vapors may cause irritation to the eyes even. CNS Depression CNS depression is defined as the consistent effect of these solvents at sufficiently high levels of exposure. The symptoms are disorientation, giddiness, and euphoria. The syndrome may progress to paralysis, convulsions and unconsciousness. Death may ensue. The mechanism is not clear yet but the observation that narcosis (CNS Depression) was related to the solubility of toluene and Xylene in lipid and not at all related to their chemical structure, and hence suggested that narcosis resulted from CNS cell dysfunction following solubilizing of the solvents in the cell membrane. There are also a variety of specific effects of toluene and Xylene in solvents on humans. The diversity of these effects is a result of the different metabolic being formed. They are effect on liver, kidneys, nervous system, and hematopoietic system.

Building E-commerce (Rent all Marine activities and boat charters) Research Paper

Building E-commerce (Rent all Marine activities and boat charters) - Research Paper Example The company will commence its operations, under the Commercial Law of Kuwait government, with a total share capital of KD 60,000. The contributors are Mr. Fahad Alnasrallah (Chief Marketing Officer – CMO), Mr. Mohammed Almejadi (Chief Financing Officer – CFO) and Mr. Abdulaziz Almohaisen (Chief Executive Officer-CEO and founder). Each partner will invest KD 20,000. The NPV after the feasibility study for five years forecasting shows a positive KD 2,247, which indicates that it is a feasible business venture. It will start generating positive income cash flow for the third year in 2018 with a margin of 7%, and on an increasing scale to reach a margin of 22% in the year 2020. The Pay Back Period is 4.6 years. The primary value proposition for the company is to save time and money by providing the customers an opportunity to adventure the sea with the convenience and avoiding unqualified vendors. The company will receive transaction fee based on successful transaction/confirmation done, the yearly subscription from vendors, and advertisement from advertisers. The market opportunity is large due to lots of individual vendors who will be attracted to join. The market will be competitive after few years of initiative, but the company will mostly possess the largest market share, giving the new entrants a bleak in an entry. This will be achieved by engaging experienced, knowledgeable, and well-known employees. The market strategy includes marketing campaigns, advertisements, and word of mouth. The company will undertake to recruit highly skilled staff to achieve an effective organizational development plan. With the well-able management team, the company will pull in and convince customers th at the business has a plenitude of market-specific expertise and the experience necessary to implement the business plan. Given the positive Net Profit Value of KD 2,247 after the feasibility study for 5 years

What are the similarities and differences in the operations management Essay

What are the similarities and differences in the operations management of bmibaby and in the case of Fuller, Smith & Turner PLC (Brewery) - Essay Example It was founded in 1845 in Chiswick as the Griffins brewery. The logo for the Fuller, Smith and Turners brewery states that quality, service and pride are provided in equal measures by them. The main product of the company is beer and it also operates pubs. The geographical area that Fuller, Smith and Turner and Bmibaby cater to is the same. Both of them are located in England but there is a huge difference in the market they cater to. There is a huge difference in the history and background of both companies. The brewery is well known because of its ancient roots and traditional methods whereas Bmibaby is a company which hasn’t even completed a decade of existence. Smith, Fuller and Turner currently own 363 pubs and supply their products to them. The range of products is very wide and includes Chiswick Bitter, London pride and ESB. A major factor of their success is the companys recent acquisition of the Gale group which added another 111 pubs to its empire. This move ensured the elimination of a major competitor from the scene. Besides that Smith, Fuller and Turner are well known because of the quality of their products. The Chiswick Bitter has been known as the Champion beer of Britain and the record has been unmatched. The brewery also operated by adding more and newer beers to its portfolio thereby reducing monotony of products. Michael Turner, the CEO of the company once said that We have a long-term strategy, strong balance sheet, excellent cash flow generation and an experienced management team and are well placed to meet the challenges ahead. (Review) In contrast Bmibaby works by providing its services at the lowest cost possible. They provide services which are already there in the market but its core competency lies in the fact that it custom provides those, thus charging the customer for what it wants. As compared to the brewerys 363 locations, it operates from four

Fiscal or Monetary Research Paper Example | Topics and Well Written Essays - 250 words

Fiscal or Monetary - Research Paper Example This is because the article was written at a time when the global economy had generally recovered from the economic crunch and so there was much active economic performance in terms of buying and selling. Because the global economy had generally recovered from the recession, a lot more employment avenues had been created and investments had started among several multinational companies. Consequently, Mathai (2011) notes that â€Å"workers then use their increased income to buy more goods and services, further bidding up prices and wages and pushing generalized inflation upward.† The above points discussed not withstanding; there is a very clear tendency that if the author had written his article at the time of recession from 2007 to 2009, his points and opinions would have changed a great deal. For instance at the time of the recession, even though monetary policies that were geared at adjusting the supply of money in the economy were relevant, these supplies were not needed to stabilize prices. Clearly there was no active demand and supply interfaces and so the need to channel resources at inflation would not have been the most prudent option. In relation to the recession of 2007 to 2009 therefore, the author’s choice of monetary policy would have been directed at economic growth, which would have been a perfect response to the consequences of the recession that was being